Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
Series description: Havana Cars, Havana (Cuba), February–March 2015 Even today, vintage American cars still roam the streets of Havana. The current rapprochement between the United States and Cuba gives their owners a hope of being able to switch to newer models in the future. However, this could deprive Cuba of the unique atmosphere brought about by the old cars still being around.
Author: Roman Vondrouš
DALŠÍ OCENĚNÍ
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
Series description: Wet paradise, Podolí Swimming Pool, Prague, 2015 Swimming represents only a small portion of what actually goes on there. The public swimming pool is a social ecosystem with various human stories unfolding on its wet stage.
Author: Rishabh Kaul
DALŠÍ OCENĚNÍ
Picture description: Young people represent a majority of Iran’s population. Over 60 percent of the 73 million strong nation is under 30 years old.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Picture description: People getting off at the Ekbatan station in Tehran. A mosque in the foreground.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Picture description: Nearly every night, a gay couple organises a party in their flat.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Picture description: Three young women in Tehran on the anniversary of Prophet Muhammad’s death. A majority of young people are disappointed by the government’s policies concerning Islam, even though they have no issue with the religion or the Quran.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Picture description: Hip hop and break dancers in Tehran.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
Picture description: A young woman kissing a gun painted in American colours at the building of the former U.S. Embassy in Tehran. This is an official painting.
Series description: Children of Islam. Series on the revolutionary youth of Iran, predominantly made in Tehran. The new generation live two lives – one at home, the other in public.
Author: David Těšínský
DALŠÍ OCENĚNÍ
Picture description: Eliška Doležalová (11), a client of the Ondrášek mobile hospice.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Picture description: Eliška Doležalová (11), a client of the Ondrášek mobile hospice.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Picture description: Lukáš Tvarůžka with his mother.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Picture description: Sára Derková (2), a client of the Ondrášek mobile hospice with her father.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Picture description: Mr and Mrs Zavadilovi with their children. From the left: Jakub and Sára.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
Picture description: Sára and Jakub Zavadilovi.
Series description: “In the heaven’s right corner” – palliative care for children, November–December 2014 “There is nothing worse that could happen to a person.” This is how people usually react when talking about the death of a child. The death of children before they get a chance to grow up is seen as a cruel interruption of the life’s natural order, representing a loss of hope for the future. However, this tragedy, which affects over six hundred Czech families each year, can be overcome without the families being destroyed. A report about palliative care for children.
Author: Milan Jaroš
DALŠÍ OCENĚNÍ
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
Series description: Life in the centre of Prague, Prague, November 2014 – August 2015 The centre of Prague, inhabited by fewer and fewer natives and visited by more and more tourists, becomes a “set piece” for unbelievable life stories and funny situations. The series was photographed on an iPhone so that random situations could be immediately captured. In this regard, the iPhone serves as means of creative expression and, at the same time, becomes a symbol of a certain degree of dehumanisation and emptiness affecting the contemporary world.
Author: Michal Čížek
